By Emilio Gómez

And So It Begins (An Introduction)

The author explains about what you can expect from his modest web project

A truly effective distillation of horror's basic elements

An energetic achievement in Dominican action cinema that unfortunately offers little innovation to its genre

An offensive, uneven comedy that nevertheless offers a weird good time

A weird and entertaining thriller that never really clicks but does call attention to its source material

Diego Quemada-Díez's excellent feature film debut easily could've also worked as a silent movie

A new arrival that deserves some credit for trying something completely fresh in Dominican cinema

Surprising in its simplicity, this British tale showcases the talent and versatility of its stars and director

The second chapter in the saga based on Suzanne Collins' books is bigger and better than the original in every way

Michael Fassbender's second collaboration with director Ridley Scott is interesting but hard to recommend