A serviceable horror entry that nevertheless fails to reach the heights of insanity its plot hints at from the start
‘The Invisible Man’: Timely Paranoia
Exceptional genre cinema with a female perspective that works even better when filtered through the lens of a global pandemic
‘Avengers: Endgame’ (Never Before, Never Again)
An impressive achievement in blockbuster storytelling, 11 years in the making, that may never occur again in cinema
‘Captain Marvel’: Bechdel Approved
Marvel Studios' first-ever female-centric film mixes action and humor with a well-earned dose of empowerment
Spider-Man: Into the Spider-Verse (A Spidey for Every Taste)
A welcome change of pace for Spider-Man films that captivates with its frenetic visual style and wacky sense of humor
‘Avengers: Infinity War’: A Full House
A massive cinematic card trick that pays off ten years of Marvel Studios fandom while leaving audiences desperate for more
‘The Last Jedi’: A Red Stocking Full of Awe
A worthy entry to the 'Star Wars' canon that dares to break new ground and play with our expectations, all while balancing drama and levity
Spider-Man: Homecoming (Welcome Home!)
An enjoyable return to form for the quintessential comic book character, this time with a push from his Marvel Cinematic Universe peers
A Ride on the Omnibus
A bite-size appreciation of the anthology film format, including some good (and not-so-good) suggestions
Oscars 2017 and the Film-Worthy Fail
'Moonlight' and 'La La Land' win big, while headlining the most awkward live TV moment ever, during the 89th edition of the Academy Awards